{"id":4026,"date":"2018-12-05T12:53:17","date_gmt":"2018-12-05T10:53:17","guid":{"rendered":"http:\/\/www.libridergi.org\/2015-en\/trans-2015-en\/lbr-0173"},"modified":"2019-01-17T20:27:06","modified_gmt":"2019-01-17T18:27:06","slug":"lbr-0173","status":"publish","type":"post","link":"https:\/\/www.libridergi.org\/en\/2018-en\/lbr-0173","title":{"rendered":"Antik\u00e7a\u011f\u2019dan Bug\u00fcne Glykon K\u00fclt\u00fc"},"content":{"rendered":"
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Antik\u00e7a\u011f\u2019dan Bug\u00fcne Glykon K\u00fclt\u00fc<\/h2>\n

Murat KARASAL\u0130HO\u011eLU<\/h3>\n
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ISBN:<\/strong> 9786053964483
\nPage:<\/strong>\u00a0315
\nPublication Date:<\/strong>\u00a02017
\nLocation:<\/strong> \u0130stanbul
\nPublisher:\u00a0<\/strong>Arkeoloji ve Sanat Yay\u0131nlar\u0131<\/p><\/div>

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LIBRI<\/em>\u00a0IV (2018) 377-379<\/strong>
\nDOI<\/strong>:\u00a010.20480\/lbr.2018043
\nReceived Date<\/strong>: 26.11.2018 | Acceptance Date<\/strong>: 03.12.2018
\nOnline Publication Date<\/strong>: 04.12.2018
\nCopyright \u00a9 Journal of Book Notices, Reviews and Translations, 2018<\/p>\n

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M.\u00a0KARASAL\u0130HO\u011eLU, Antik\u00e7a\u011f\u2019dan Bug\u00fcne Glykon K\u00fclt\u00fc<\/em>. <\/strong>
\n\u0130stan\u00adbul 2017. Arkeoloji ve Sanat Yay\u0131nlar\u0131, 315 sayfa (11 harita ve 56 levha ile birlikte). ISBN: 9786053964483<\/strong><\/p>\n

Murat Karasaliho\u011flu\u2019nun bu \u00e7al\u0131\u015fmas\u0131, Paphlagonia B\u00f6lgesi kentlerinden Abonoteikhos\/Ionopolis\u2019te (\u0130nebolu) MS II. y\u00fczy\u0131lda Aleksandros isimli bir sahte peygamberin tesis etti\u011fi kehanet merkezi ve bunun etraf\u0131nda \u015fekille\u00adnerek iki y\u00fczy\u0131l boyunca canl\u0131 bir \u015fekilde ya\u015fayan ve \u00fcn\u00fc Roma d\u00fcnyas\u0131n\u0131n her yan\u0131na yay\u0131lan bir k\u00fclt\u00fc arkeolojik, epigrafik ve numismatik kaynaklarla bir\u00adlikte ele almaktad\u0131r. MS II. y\u00fczy\u0131l Roma d\u00fcnyas\u0131nda sahte bir peygamber ta\u00adraf\u0131ndan tesis edilen ve imparatorlar\u0131 dahi etkileyecek kadar b\u00fcy\u00fck bir \u00fcne ve tan\u0131n\u0131rl\u0131\u011fa sahip olan b\u00f6yle \u00f6zel bir k\u00fclt\u00fc t\u00fcm ayr\u0131nt\u0131lar\u0131yla ele alan bu \u00e7a\u00adl\u0131\u015fma, Eski Anadolu inan\u00e7lar\u0131 ve k\u00fcltleri konusunda ku\u015fkusuz \u00f6nemli bir \u00e7a\u00adl\u0131\u015fma olmu\u015ftur.<\/p>\n

Kitap \u201cGlykon K\u00fclt\u00fc ve Abonuteikhos\/Ionopolis Kenti<\/em>\u201d, \u201cMS II. y\u00fczy\u0131lda Do\u011fu Kehanet Merkezleri<\/em>\u201d, \u201cK\u00fclt Alan\u0131 ve Rit\u00fcelleri<\/em>\u201d, \u201cGlykon K\u00fclt\u00fc\u2019n\u00fcn \u0130\u00e7in\u00adde Yer Alan Ba\u015fka K\u00fclt Unsurlar\u0131<\/em>\u201d, \u201cGlykon K\u00fclt\u00fc ve Felsefi Ba\u011flant\u0131lar<\/em>\u201d, \u201cK\u00fclt \u0130konografisi<\/em>\u201d ve \u201cRoma D\u00f6nemi Sonras\u0131nda K\u00fclt\u00fcn Devaml\u0131l\u0131\u011f\u0131<\/em>\u201d ba\u015fl\u0131k\u00adlar\u0131n\u0131 ta\u015f\u0131yan yedi b\u00f6l\u00fcmden ve \u201cSonu\u00e7<\/em>\u201d k\u0131sm\u0131ndan olu\u015fmaktad\u0131r. Ayr\u0131ca \u201cGi\u00adri\u015f<\/em>\u201d b\u00f6\u00adl\u00fcm\u00fcnde, bu \u00e7al\u0131\u015fmadan \u00f6nce konuyla ilgili yap\u0131lan t\u00fcm ara\u015ft\u0131rma ve \u00e7al\u0131\u015f\u00admalar\u0131n ele al\u0131nd\u0131\u011f\u0131 bir \u201cAra\u015ft\u0131rma Tarih\u00e7esi<\/em>\u201d ile kitab\u0131n sonunda, \u00e7a\u00adl\u0131\u015f\u00admada kullan\u0131lan arkeolojik malzemenin de bir katalo\u011funa yer veril\u00admi\u015f\u00adtir.<\/p>\n

Birinci b\u00f6l\u00fcm ilk olarak, \u015fimdiye kadar herhangi bir arkeolojik \u00e7al\u0131\u015fma ya\u00adp\u0131lmam\u0131\u015f olan Abonoteikhos\/Ionopolis kentinin tarihini epigrafik ve nu\u00admis\u00admatik veriler ile gezginlerin tan\u0131kl\u0131\u011f\u0131nda ge\u00e7mi\u015fte az da olsa g\u00f6r\u00fclebilen baz\u0131 arkeolojik kan\u0131tlar \u0131\u015f\u0131\u011f\u0131nda ayd\u0131nlatmaya \u00e7al\u0131\u015fmaktad\u0131r. Ayr\u0131ca \u00f6zellikle sikke\u00adlerinden yola \u00e7\u0131k\u0131larak kent pantheon\u2019<\/em>una de\u011finilmi\u015ftir. \u0130kinci olarak da Luki\u00adanos\u2019un aktar\u0131mlar\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131nda Glykon kelimesinin etimolojisi, k\u00fclt\u00fcn or\u00ad\u00adtaya \u00e7\u0131k\u0131\u015f\u0131, geli\u015fimi ve etkileri gibi konular arkeolojik kan\u0131tlarla destekle\u00adnerek ele al\u0131nmaktad\u0131r.<\/p>\n

\u0130kinci b\u00f6l\u00fcm, Glykon K\u00fclt\u00fc\u2019n\u00fcn \u00f6zelliklerini derinlemesine ele al\u0131rken, bu \u00f6zel\u00adlikleri d\u00f6nemin (MS II. y\u00fczy\u0131l) siyasi ve dini atmosferi i\u00e7erisinde oku\u00adyu\u00adcuya sunmaktad\u0131r. Roma d\u00fcnyas\u0131nda \u00fcnlenen kehanet merkezleri ve bu d\u00f6\u00adnemde yerel k\u00fcltlerin y\u00fckseli\u015fi, bu k\u00fcltlerin uygulamalar\u0131 ve bunlar\u0131n da\u00adyan\u00add\u0131klar\u0131 felsefi d\u00fc\u015f\u00fcnceler de bu ba\u011flam\u0131nda ele al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

\u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm, Abonuteikhos\/Ionopolis kentindeki Glykon kutsal alan\u0131, k\u00fclt heykeli ve k\u00fclt personeline ili\u015fkin kan\u0131tlar\u0131 ele almaktad\u0131r. Bununla bir\u00adlikte k\u00fclte ili\u015fkin ilahi metnin ke\u015ffi, tanr\u0131n\u0131n epiphanisi, kehanet verilmesi, gi\u00adzem t\u00f6renleri gibi k\u00fclt rit\u00fcelleri, Glykon K\u00fclt\u00fc\u2019n\u00fcn di\u011fer k\u00fclt\u00adlerle olan ili\u015fkileri ve etkile\u015fimleri ile olu\u015fan yeni \u00f6zellikleri incelenmi\u015ftir.<\/p>\n

D\u00f6rd\u00fcnc\u00fc b\u00f6l\u00fcm, Glykon K\u00fclt\u00fc\u2019n\u00fcn uygulamalar\u0131, rit\u00fcelleri ve ikono\u00adgra\u00adfik \u00f6zelliklerini k\u00fclt\u00fcn etkilendi\u011fi Eski Yunan ve Roma d\u00fcnyas\u0131n\u0131n di\u011fer baz\u0131 b\u00fc\u00ady\u00fck k\u00fcltleriyle kar\u015f\u0131la\u015ft\u0131rarak bunlar aras\u0131ndaki benzerlikleri ortaya koy\u00admak\u00adtad\u0131r. Bu yap\u0131l\u0131rken de Glykon K\u00fclt\u00fc\u2019n\u00fcn etkilendi\u011fi Apollon, Asklepios, Se\u00adlene, Perseus, Sabasios ve Serapis ile Eleusis Gizemleri\u2019ne ili\u015fkin unsurlar ba\u015f\u00adl\u0131klar halinde ele al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

Be\u015finci b\u00f6l\u00fcm, Glykon K\u00fclt\u00fc\u2019n\u00fcn temel ald\u0131\u011f\u0131 d\u00fc\u015f\u00fcnce sistemi olan Py\u00adtho\u00adgoras\u00e7\u0131l\u0131k ile bunun kar\u015f\u0131t\u0131 olarak Epikuros\u00e7ulu\u011fu incelemektedir. K\u00fclt\u00adteki Pythogoras\u00e7\u0131l\u0131k izleri, Lukianos\u2019un aktar\u0131mlar\u0131 ile k\u00fclt\u00fcn pek \u00e7ok \u00f6zelli\u00ad\u011fini al\u00add\u0131\u011f\u0131 Asklepios ve Eleusis Gizemleri ba\u011flam\u0131nda ve kar\u015f\u0131t bir g\u00f6r\u00fc\u015f ola\u00adrak Epi\u00adkuros\u00e7uluk da bu ba\u011flamda ele al\u0131nm\u0131\u015ft\u0131r. B\u00f6l\u00fcmde son olarak bir ba\u015fka dini ak\u0131m olan H\u0131ristiyanl\u0131\u011f\u0131n b\u00f6lgedeki faaliyetleri ve Aleksandros\u2019un bu\u00adnun kar\u00ad\u015f\u0131s\u0131ndaki tutumu ortaya konmu\u015ftur.<\/p>\n

Alt\u0131nc\u0131 b\u00f6l\u00fcm Glykon K\u00fclt\u00fc ikonografisi \u00fczerinde durmaktad\u0131r. Heykeller, amu\u00adletler ve sikkeler ba\u015fl\u0131klar\u0131 alt\u0131nda ele al\u0131nan konu, s\u00f6z\u00fc edilen eser grup\u00adlar\u0131ndaki benzerlikler ya da farkl\u0131l\u0131klar d\u00fczleminde incelenmi\u015ftir.<\/p>\n

Yedinci ve son b\u00f6l\u00fcm ise Glykon K\u00fclt\u00fc\u2019n\u00fcn Roma \u0130mparatorluk D\u00f6nemi sonras\u0131ndaki durumunu ele almaktad\u0131r. \u0130lk olarak, Ge\u00e7 Antik\u00e7a\u011f ve Do\u011fu Roma D\u00f6nemi\u2019nde H\u0131ristiyanl\u0131ktaki \u201cejder \u00f6ld\u00fcren atl\u0131lar<\/em>\u201d ve \u201c\u015feytan<\/em>\u201d imge\u00adlerinin Glykon K\u00fclt imaj\u0131 ile kavramsal ve ikonografik olarak benzerlikleri in\u00adcelenmi\u015ftir. \u0130kinci olarak da T\u00fcrk-\u0130slam D\u00f6nemi\u2019nde Kastamonu merkez ol\u00admak kayd\u0131yla Bat\u0131 Karadeniz yani Paphlagonia B\u00f6lgesi\u2019nde Glykon K\u00fcl\u00adt\u00fc\u2019n\u00fcn y\u00f6redeki inan\u0131\u015flara ve sanata ne kadar sirayet etti\u011fi \u00fczerinde durul\u00admu\u015f ve bu noktalar ortaya \u00e7\u0131kar\u0131lmaya \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r. Son olarak da k\u00fclt\u00fcn ay\u00adn\u0131 b\u00f6lgede bu kez g\u00fcn\u00fcm\u00fczdeki yans\u0131malar\u0131 ve etkilerinden s\u00f6z edilmi\u015ftir.<\/p>\n

\u00c7al\u0131\u015fman\u0131n ele al\u0131nd\u0131\u011f\u0131 co\u011frafya g\u00f6z \u00f6n\u00fcne al\u0131nd\u0131\u011f\u0131nda, Paphlagonia B\u00f6l\u00adgesi \u00fczerine yap\u0131lan \u00e7al\u0131\u015fmalar\u0131n, her ne kadar son y\u0131llarda \u00e7al\u0131\u015fma ve ara\u015f\u00adt\u0131rmalar art\u0131\u015f g\u00f6sterse de, Bat\u0131 Anadolu\u2019ya oranla olduk\u00e7a az oldu\u011fu g\u00f6r\u00fcle\u00adcektir. Bu nedenle \u201cGlykon K\u00fclt\u00fc<\/em>\u201d adl\u0131 bu eserin \u00f6nemli bir bo\u015flu\u011fu doldura\u00adca\u011f\u0131n\u0131 s\u00f6yleyebiliriz.<\/p>\n

S\u00fcleyman Demirel \u00dcniversitesi
\nArkeoloji B\u00f6l\u00fcm\u00fc
\n<\/strong><\/p><\/div>\n

H\u00fcseyin K\u00d6KER (Dr)<\/strong>
\nhuseyinkoker@gmail.com<\/strong><\/p>\n

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