{"id":1470,"date":"2016-02-28T23:35:15","date_gmt":"2016-02-28T21:35:15","guid":{"rendered":"http:\/\/www.libridergi.org\/en\/?p=1470"},"modified":"2016-07-27T17:55:16","modified_gmt":"2016-07-27T14:55:16","slug":"lbr-0009","status":"publish","type":"post","link":"https:\/\/www.libridergi.org\/en\/2015-en\/lbr-0009","title":{"rendered":"Uygarl\u0131k Anadolu\u2019da Do\u011fdu"},"content":{"rendered":"<p><em><div class=\"one_fourth\"><figure class=\"image_styled image_fit_mobile\" style=\"width:177px;\">\n\t\t<div class=\"image_frame effect-zoom\"><div class=\"image_shadow_wrap\">\n\t\t<a data-fittoview=\"true\" class=\"image_size_medium lightbox\" title=\"\" href=\"https:\/\/www.libridergi.org\/wp-content\/uploads\/2015\/12\/F.-I\u015eIK-Uygarl\u0131k-Anadolu\u2019da-Do\u011fdu.png\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/www.libridergi.org\/wp-content\/uploads\/strikingr\/images\/975_F.-I\u015eIK-Uygarl\u0131k-Anadolu\u2019da-Do\u011fdu-175.png\" data-thumbnail=\"975\" \/><\/a>\n\t\t<\/div><\/div><\/figure><\/div><\/em><\/p>\n<div class=\"three_fourth last\"><h2 style=\"text-align: justify;\">Uygarl\u0131k Anadolu\u2019da Do\u011fdu<\/h2>\n<h3>Fahri I\u015eIK<\/h3>\n<div class=\"divider_line\"><\/div>\n<p><strong>ISBN:<\/strong> 9786055607890<br \/>\n<strong>Translation:<\/strong>\u00a0Fahri I\u015eIK \u2013 Erhan BOZKURT<br \/>\n<strong>Page:<\/strong>\u00a0499\u00a0(536 resim ile birlikte)<br \/>\n<strong>Publication Date:<\/strong> 2012<br \/>\n<strong>Location:<\/strong> \u0130stanbul<br \/>\n<strong>Publisher:<\/strong>\u00a0Ege\u00a0Yay\u0131nlar\u0131<\/p><\/div><div class=\"clearboth\"><\/div>\n<p style=\"text-align: left;\"><div class=\"two_third\"><div class=\"divider_line\"><\/div>\n<strong><em>LIBRI<\/em> I (2015) 33-35<\/strong><br \/>\n<strong>DOI<\/strong>:\u00a0 10.20480\/lbr.2018115460<br \/>\n<strong>Received Date<\/strong>: 21.08.2015\u00a0 <strong>Acceptance Date<\/strong>: 25.08.2015<br \/>\n<strong>Online Publication Date<\/strong>: 28.12.2015<br \/>\nCopyright \u00a9 Journal of Book Notices, Reviews and Translations, 2015<\/p>\n<p style=\"text-align: left;\"><div class=\"divider_line\"><\/div><\/div>\n<p style=\"text-align: left;\"><div class=\"one_third last\"><div id=\"framed_box_e074b7e6da47215dfbec18514a123826\" class=\"framed_box\">\n\t<div class=\"framed_box_content\">\n\t\t\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-45\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/pdf.jpg\" alt=\"pdf\" width=\"18\" height=\"18\" \/>\u00a0 <strong><a href=\"http:\/\/www.libridergi.org\/wp-content\/uploads\/2015\/06\/LIBRI-1-9-Osman_Caglar_Ekiz_Uygarlik_Anadoluda_Dogdu.pdf\" target=\"_blank\">Get PDF<\/a><\/strong><\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-46\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/references.jpg\" alt=\"references\" width=\"18\" height=\"18\" \/><strong>\u00a0<\/strong> <strong><a href=\"http:\/\/www.libridergi.org\/wp-content\/uploads\/2015\/06\/LIBRI-1-9-Osman_Caglar_Ekiz_Uygarlik_Anadoluda_Dogdu.pdf\" target=\"_blank\">View PDF<\/a><\/strong><\/p>\n<p style=\"text-align: left;\"><a href=\"#refs\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-44\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/info.jpg\" alt=\"info\" width=\"18\" height=\"18\" \/>\u00a0 <\/a><b><a href=\"#refs\">Citation<\/a><br \/>\n<\/b><\/p>\n<p style=\"text-align: left;\">\n\t\t<div class=\"framed_box_space\"><\/div>\n\t<\/div>\n<\/div>\n<\/div><div class=\"clearboth\"><\/div>\n<p style=\"text-align: justify;\"><strong>F. I\u015eIK, Uygarl\u0131k Anadolu\u2019da Do\u011fdu. \u0130stanbul 2012. Ege Yay\u0131nlar\u0131, 499 sayfa (536 resim ile birlikte). \u00c7ev.: Fahri I\u015eIK \u2013 Erhan BOZKURT. ISBN: 9786055607890<\/strong><\/p>\n<p style=\"text-align: justify;\">Fahri I\u015f\u0131k\u2019\u0131n neredeyse \u00e7eyrek as\u0131r boyunca yazd\u0131\u011f\u0131 makalelerden olu\u015fan eser, Anadolu\u2019nun \u00f6zel\u00adlikle bat\u0131s\u0131n\u0131n geli\u015fim ve varolu\u015funun Hellen temellerine dayand\u0131r\u0131lmas\u0131ndaki \u00f6n yarg\u0131lar\u0131 k\u0131rmak amac\u0131yla derlenmi\u015ftir. Eser yo\u011fun bir resim derlemesiyle belgelendirilerek bize sunulmaktad\u0131r. Genel olarak mimari, resim, yontu, yaz\u0131 ve bi\u00e7em irdelemeleri yer almaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\"><em>Uygarl\u0131k Anadolu\u2019da Do\u011fdu<\/em> adl\u0131 \u00e7al\u0131\u015fma \u00e7eviri ve yay\u0131n haz\u0131rl\u0131klar\u0131 tamamland\u0131ktan sonra Ege Yay\u0131nlar\u0131 taraf\u0131ndan 2012 y\u0131l\u0131nda \u0130stanbul\u2019da bas\u0131lm\u0131\u015ft\u0131r. Eser <em>\u0130\u00e7indekiler<\/em> (7), <em>Ba\u015flarken<\/em> (9-21), yirmi makale ve makale ba\u015fl\u0131klar\u0131 i\u00e7erisinde bulunan eklemelerin yer ald\u0131\u011f\u0131 b\u00f6l\u00fcmlerden (23-379) olu\u015farak devam\u0131nda bunu takip eden <em>K\u0131saltmalar<\/em> (403), <em>Resim Kaynak\u00e7as\u0131<\/em> (405-408), <em>Dizin<\/em> (409-442) ve <em>Levhalar<\/em> (499-588) ile sonlan\u0131r.<\/p>\n<p style=\"text-align: justify;\"><em>Ba\u015flarken<\/em> (9-21) k\u0131sm\u0131nda \u00e7al\u0131\u015fman\u0131n amac\u0131 verilmektedir. Bat\u0131 uygarl\u0131klar\u0131n\u0131n \u00f6\u011fretilerindeki <em>Do\u011fu Yunan<\/em> ve F. I\u015f\u0131k ile duymaya ba\u015flad\u0131\u011f\u0131m\u0131z <em>Anadolu-\u0130on<\/em> kavramlar\u0131 hakk\u0131nda irdeleme ve Hellenle\u015fme s\u00fcreci \u00fczerine ele\u015ftiri yer almaktad\u0131r. Sanat\u0131n ve yarat\u0131c\u0131l\u0131\u011f\u0131n \u00e7\u0131k\u0131\u015f yeri olarak g\u00f6s\u00adterilen Hellas\u2019\u0131n asl\u0131nda bunu yaparken temelde bir\u00e7ok yerden oldu\u011fu gibi Anadolu\u2019dan da etkilendi\u011fine de\u011finilir. M. At\u0131c\u0131 ve R. Teko\u011flu ile kaleme ald\u0131\u011f\u0131 <em>Karabel Ge\u00e7idi Yak\u0131n\u0131ndaki Ka\u00adrakuyu\u2019dan Hitit Sonras\u0131 Kral Dikmeta\u015f\u0131<\/em> (23-59) adl\u0131 ilk makale K\u00fc\u00e7\u00fck Menderes Vadisi \u00fczerindeki Karakuyu K\u00f6y\u00fc\u2019nde yer alan ve \u00f6nemli bir do\u011fal ge\u00e7i\u015f kap\u0131s\u0131 yak\u0131n\u0131ndaki dikme ta\u015f \u00fczerinedir. Bir par\u00e7as\u0131 ele ge\u00e7mi\u015f kabartman\u0131n Hitit D\u00f6nemi bi\u00e7emine sahip di\u011fer \u00f6rnek kabartmalarla benzer\u00adli\u011fi ve \u00f6zellikle i\u00e7erdi\u011fi \u00f6zg\u00fcn hatlar\u0131 kar\u015f\u0131la\u015ft\u0131rmal\u0131 incelemelerle ele al\u0131nmaktad\u0131r. \u00dczerindeki Mira Kral\u0131 Takasnava\u2019ya ait oldu\u011fu belirtilen Luvice yaz\u0131t sayesinde eserin kesin tarihi de sapta\u00adnabilmi\u015ftir. <em>B\u00fcy\u00fck Yontu Sanat\u0131n\u0131n \u0130onia\u2019da Ba\u015flang\u0131c\u0131<\/em> (61-70) ba\u015fl\u0131\u011f\u0131yla, \u00e7o\u011fu ara\u015ft\u0131rmac\u0131 tara\u00adf\u0131ndan Dedalik D\u00f6nem Girit yontu bi\u00e7eminin \u00f6nc\u00fc olarak kabul edildi\u011fi ger\u00e7e\u011finin zamanla de\u011fi\u015f\u00adti\u011fine, asl\u0131nda Samos\u2019un sanatsal ve an\u0131tsal yap\u0131tlar\u0131n\u0131n ayr\u0131nt\u0131lar\u0131na bak\u0131larak bu yarat\u0131c\u0131l\u0131\u011f\u0131n en erken \u00f6rnekler oldu\u011funa de\u011finilmektedir. M\u00d6 VII. y\u00fczy\u0131lda heykel sanat\u0131n\u0131n as\u0131l yarat\u0131c\u0131s\u0131 M\u0131s\u0131r ile aras\u0131ndaki ba\u011flar\u0131 geli\u015fmi\u015f olan \u0130on\u2019un bunu sanatsal yorumu ile harmanlamas\u0131 anlat\u0131lmakta\u00add\u0131r. Ege ve Samos\u2019taki \u00f6rnek azl\u0131\u011f\u0131n\u0131n ileride daha kesin yarg\u0131lara var\u0131lmas\u0131na yard\u0131mc\u0131 olaca\u011f\u0131 \u00e7\u0131\u00adka\u00adr\u0131m\u0131 yap\u0131lm\u0131\u015ft\u0131r. <em>K\u0131vr\u0131m\u0131n ve G\u00fcl\u00fcmsemenin Ege\u2019de Ortaya \u00c7\u0131k\u0131\u015f\u0131<\/em> (71-88) ba\u015fl\u0131\u011f\u0131nda Anadolu i\u00e7\u00adle\u00adrindeki \u00f6rneklerin k\u0131vr\u0131m i\u015flemelerinde do\u011fal\u0131 yakalamaya \u00e7al\u0131\u015fmas\u0131 ve kendine \u00f6zg\u00fc \u00f6rgeleri i\u015fleyi\u015fi; hatta do\u011fal g\u00fcl\u00fcmsemenin do\u011fulu bi\u00e7emin i\u00e7inde bar\u0131nd\u0131\u011f\u0131 aktar\u0131lmaktad\u0131r. <em>Phryg Erken Kybele Resimlerinin Ortaya \u00c7\u0131k\u0131\u015f\u0131 ve \u0130on Yontusuna Etkisi<\/em> (89-119) adl\u0131 makalede \u0130on ve Phryg yon\u00adtular\u0131n\u0131n giysi d\u00fczenlemesi, y\u00fcz, sa\u00e7, ba\u015fl\u0131k ve kulland\u0131klar\u0131 simge incelemeleri anlat\u0131lmakta\u00add\u0131r. Phryg yontusundaki kar\u0131\u015f\u0131k Anadolu ve G\u00fcneydo\u011fu Anadolu k\u00fclt\u00fcr\u00fcn\u00fcn bat\u0131ya aktar\u0131l\u0131\u015f\u0131na de\u011fi\u00adnilmektedir. <em>Ephesos Artemis Tap\u0131na\u011f\u0131 Fildi\u015fi Yontucuklar\u0131<\/em> (120-137) adl\u0131 \u00e7al\u0131\u015fmada yerel \u0130on yap\u0131t\u0131 olan yontucuklar\u0131n yerel at\u00f6lyeler taraf\u0131ndan nas\u0131l da Anadolulu \u00f6rgeleri i\u015fledi\u011fine ve Do\u011fu unsurunun bir ayr\u0131mdan ziyade de\u011fi\u015fim s\u00fcreciyle alakal\u0131 oldu\u011funa de\u011finilir. Bu at\u00f6lyelerin farkl\u0131 ustalarla \u00e7al\u0131\u015fm\u0131\u015f olabilece\u011fine yer verilmektedir. <em>Elmal\u0131 D-T\u00fcm\u00fcl\u00fcs\u00fc Yontucuklar\u0131<\/em> (139-158) ba\u015f\u00adl\u0131\u011f\u0131yla yine Ephesos at\u00f6lyelerinden \u00e7\u0131km\u0131\u015f olmas\u0131 gereken yontucuklardaki \u0130on ve yerel unsurlar\u0131\u00adn\u0131n birlikte i\u015fleni\u015fi anlat\u0131lmaktad\u0131r. Yontucuklar\u0131n tanr\u0131sal m\u0131, yoksa insan olarak m\u0131 verilmek is\u00adtendi\u011fine de\u011finilmektedir. Buluntular\u0131n geldi\u011fi t\u00fcm\u00fcl\u00fcslerin sahipleri \u00fczerine d\u00fc\u015f\u00fcnceler aktar\u0131l\u00admaktad\u0131r. <em>Pi\u015fmi\u015f Toprak \u0130on Ku\u015flu Korelerinin Bi\u00e7em Geli\u015fimi<\/em> (159-173) ba\u015fl\u0131\u011f\u0131 alt\u0131nda pi\u015fmi\u015f top\u00adrak \u0130on ku\u015flu <em>kore<\/em>\u2019lerinin giysi \u00fczerindeki do\u011fal k\u0131vr\u0131m\u0131n verilmesi ve di\u011fer b\u00f6lgelerin \u00e7a\u011fda\u015f bir \u015fekilde bu sanat ak\u0131m\u0131n\u0131 takip edi\u015fi hakk\u0131nda bilgiler bize sunulmaktad\u0131r. <em>Hellen Mucizesi Var M\u0131yd\u0131 <\/em>(175-192) adl\u0131 makalede genel olarak yazar\u0131n t\u00fcm makalelerinde de\u011findi\u011fi etkile\u015fim ele al\u0131n\u0131r. M\u00d6 547 Pers egemenli\u011fi ile \u0130on ustalar\u0131n\u0131n bu bask\u0131dan demokratik d\u00fczenin ya\u015fand\u0131\u011f\u0131 Atina bahar\u0131na ka\u00e7mas\u0131n\u0131n Hellen yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n temelinde nas\u0131l bir etken oldu\u011funa de\u011finil\u00admektedir. <em>Keben Kaya Kabartmas\u0131ndaki Hitit-\u0130on Ala\u015f\u0131m\u0131 \u00dczerine<\/em> (193-202) adl\u0131 \u00e7al\u0131\u015fmada Yeni Hitit D\u00f6nemi\u2019ne tarihlenen kabartma, mihrap, duru\u015f, y\u00fcz ve giysi gibi ayr\u0131nt\u0131larla tamamen incelenerek etkilenmi\u015f olabilece\u011fi unsurlarla birlikte neden Ge\u00e7 Hitit D\u00f6nemi\u2019ne ait olmas\u0131 ge\u00adrekti\u011fi sunulmaktad\u0131r. <em>\u0130\u011fli Tanr\u0131\u00e7a<\/em> (203-212) ba\u015fl\u0131\u011f\u0131nda i\u011fin Anadolu tanr\u0131\u00e7as\u0131 simgelerinden olu\u00ad\u015fu ele al\u0131nmaktad\u0131r. \u0130on etkilerinin Phryg ustalar\u0131 \u00fczerine etkisi incelenmekte; hatta \u0130on yontu okullar\u0131nda e\u011fitim alm\u0131\u015fl\u0131\u011f\u0131 olas\u0131 Anadolu ustalar\u0131na de\u011finilmektedir. <em>Letoon\u2019dan \u201ceni mahana\u00adhi\u201dnin \u0130nsans\u0131 Yar\u0131m Yontusu<\/em> (213-220) ba\u015fl\u0131\u011f\u0131nda Letoon\u2019dan ele ge\u00e7en <em>yerel tanr\u0131 eni mahanni<\/em> olmas\u0131 gereken yar\u0131m <em>torso<\/em>\u2019nun Neolitik gelenekten bu yana yar\u0131 i\u015flenmi\u015f insans\u0131 betilerin tanr\u0131\u00adsal de\u011feri anlat\u0131lmaktad\u0131r. Ayr\u0131ca yontunun Lykia B\u00f6lgesi\u2019ndeki di\u011fer yontular ile aras\u0131ndaki farkl\u0131l\u0131k ve benzerlikleri sunulmaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\">Bu k\u0131sma kadar yontu incelemelerinin yer ald\u0131\u011f\u0131 makaleler bulunmakta, sonras\u0131nda mimari incelemelerin yer ald\u0131\u011f\u0131 makalelerle devam etmektedir. <em>Pi\u015fmi\u015f Topraktan Duvar Kaplama Levha\u00adlar\u0131n\u0131n Anadolu\u2019da Ortaya \u00c7\u0131k\u0131\u015f\u0131 \u00dczerine<\/em> (221-246) adl\u0131 ba\u015fl\u0131k alt\u0131nda \u00f6zg\u00fcn Phryg mimari beze\u00admesi olan pi\u015fmi\u015f toprak duvar kaplama levhalar\u0131n\u0131n kullan\u0131m ama\u00e7lar\u0131 ve alanlar\u0131, \u00e7\u00f6mlek\u00e7ilik betileriyle olan alakas\u0131, kullan\u0131lan betimler ve bu betimler \u00fczerinden kar\u015f\u0131la\u015ft\u0131rmalar yap\u0131larak tarihlenmesine yer verilmektedir. <em>\u0130on Mimarisinin Ba\u015flang\u0131c\u0131 \u00dczerine <\/em>(247-261) adl\u0131 \u00e7al\u0131\u015fmayla Hellen tap\u0131naklar\u0131ndaki plan\u0131n temelinde yatan <em>megaron<\/em>\u2019un Troya ile olan ili\u015fkisi ve Samos Hera\u00adi\u00adon\u2019unda yarat\u0131lan \u0130on mimari tasar\u0131m\u0131n\u0131n \u00f6nc\u00fc olarak kabul edilen di\u011fer yap\u0131larla olan ba\u011flant\u0131l\u0131 incelemeleri, Anadolu\u2019daki uygarl\u0131klar\u0131n kent uygulamalar\u0131 ve mimarisine bak\u0131larak di\u011fer Hellen mimari sistemleri \u00fczerine etkileri veya etkile\u015fimleriyle anlat\u0131lmaktad\u0131r. <em>Anadolu Revak\u2019\u0131ndan Hellen Stoa\u2019s\u0131na<\/em> (263-273) adl\u0131 makale <em>\u0130\u00e7indekiler<\/em> k\u0131sm\u0131nda bas\u0131m hatas\u0131 nedeniyle yer almam\u0131\u015f olmal\u0131d\u0131r. \u00c7al\u0131\u015fmada tap\u0131nak mimarisiyle ba\u011flant\u0131l\u0131 olarak geli\u015fmi\u015f stoa\u2019n\u0131n yine Hitit ve Urartu tap\u0131naklar\u0131nda yer alan reva\u011f\u0131n peripteral bir formdan ziyade stoa geli\u015fimiyle olan alakas\u0131 ele al\u0131nmaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\">Bu k\u0131s\u0131mdan itibaren ise tap\u0131n\u0131m ve din alg\u0131s\u0131 \u00fczerine yap\u0131lan \u00e7al\u0131\u015fmalar yer almaktad\u0131r. <em>Phryg Kaya An\u0131tlar\u0131n\u0131n Ortaya \u00c7\u0131k\u0131\u015f\u0131 \u00dczerine<\/em> (275-292) ba\u015fl\u0131\u011f\u0131nda Phryg kaya an\u0131tlar\u0131n\u0131n Urartu kaya mezar\u0131 ve Yeni Hitit yontu bi\u00e7emi etkileriyle olan ba\u011flant\u0131s\u0131 sunulmaktad\u0131r. Anadolu tanr\u0131lar\u0131n\u0131n do\u011fan\u0131n kendisinde olu\u015funun kabul\u00fc ve a\u00e7\u0131k alan tap\u0131n\u0131mlar\u0131yla yerel etkilerin bir sonucu oldu\u011fu anlat\u0131lmaktad\u0131r. Ayr\u0131ca Lykia ve Paphlagonia\u2019yla olan etkile\u015fime de de\u011finilmektedir. <em>G\u00f6m\u00fctleri I\u015f\u0131\u00ad\u011f\u0131nda Phryg Hanedanlar\u0131n\u0131n Tanr\u0131la\u015fmas\u0131<\/em> (293-310) adl\u0131 \u00e7al\u0131\u015fmada Yeni Hitit krallar\u0131n\u0131n Urar\u00adtu\u2019da oldu\u011fu gibi tanr\u0131salla\u015farak <em>kral k\u00fclt\u00fc<\/em> olu\u015fumunda Anadolu \u00fczerine olan etkisi ele al\u0131n\u00admaktad\u0131r. Bi\u00e7em ve g\u00f6m\u00fct gelene\u011finde yine bu etkilerin izleri \u00f6rneklerle a\u00e7\u0131klanmaktad\u0131r. <em>Karial\u0131 Da\u011f Egemeni ve O\u2019nun Kbid\u2019deki Kutsal Ta\u015f\u0131<\/em> (311-325) ba\u015fl\u0131\u011f\u0131nda Neolitik \u00c7a\u011f, \u00c7atal H\u00f6y\u00fc\u011f\u00fc\u2019nde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz bo\u011fa \u00fczerindeki, tanr\u0131sal g\u00fcce sahip sakall\u0131 erkek betisinin zaman i\u00e7erisinde Ana\u00addolu\u2019daki t\u00fcm halklarda da devam etti\u011fine, hatta ba\u015f tanr\u0131 \u00f6zelli\u011fine sahip oldu\u011funa de\u011fi\u00adnilmektedir. Lyk\u00e7e ad\u0131 Kbid olan Kaunos\u2019taki g\u00f6k tanr\u0131y\u0131 temsil eden kutsal ta\u015f\u0131n Hellen gele\u00adne\u011finden ziyade Anadolu tap\u0131n\u0131m gelenekleriyle olan ba\u011flant\u0131s\u0131 anlat\u0131lmaktad\u0131r. <em>\u0130lion Athena Ergane\u2019si ve Pergamon Athena Nikephoros\u2019u I\u015f\u0131\u011f\u0131nda Anadolu Athena\u2019s\u0131 \u00dczerine<\/em> (326-336) adl\u0131 \u00e7al\u0131\u015fmada \u0130lias k\u00fclt yontusu Ergane\u2019nin giysi unsurlar\u0131n\u0131n Hitit bi\u00e7emiyle alakas\u0131, Pergamon\u2019dan Athena Nikephoros\u2019un Ephessos Artemis\u2019ine benzer yap\u0131s\u0131 ve bu iki tanr\u0131\u00e7an\u0131n temelindeki d\u00fc\u00ad\u015f\u00fcncenin Anadolu\u2019daki Ana Tanr\u0131\u00e7a Kybele tap\u0131n\u0131m\u0131n\u0131n oldu\u011fu anlat\u0131lmaktad\u0131r. <em>Neolitik \u00c7a\u011f\u2019dan Klasik D\u00f6nem\u2019e Anadolu-Eski Phryg Ana Tanr\u0131\u00e7as\u0131<\/em> (337-377) ba\u015fl\u0131\u011f\u0131 alt\u0131nda Neolitik \u00c7a\u011f\u2019da \u00c7atal H\u00f6y\u00fck ve Hac\u0131lar\u2019da g\u00f6rmeye ba\u015flad\u0131\u011f\u0131m\u0131z topra\u011f\u0131 ve bereketi temsil eden Ana Tanr\u0131\u00e7a k\u00fclt\u00fcn\u00fcn verimli Anadolu topraklar\u0131ndaki de\u011ferine ve s\u00fcrekli varolu\u015funa, sonras\u0131nda ise erili temsil eden G\u00f6k Tanr\u0131 k\u00fclt\u00fcn\u00fcn yan\u0131nda devaml\u0131 yer al\u0131\u015f\u0131na de\u011finilmektedir. Ayr\u0131ca bu k\u00fclt\u00fcn di\u011fer Anadolu toplumlar\u0131ndaki isimsel ve bi\u00e7emsel de\u011fi\u015fimiyle Hellen tanr\u0131\u00e7alar\u0131 \u00fczerindeki etkisi sunulmaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\">Son makalede etkile\u015fim son bir \u00f6rnekle ele al\u0131nmaktad\u0131r. <em>Polyksena Lahdi\u2019nin Anadolu-\u0130on Vasf\u0131<\/em> (379-404) adl\u0131 \u00e7al\u0131\u015fman\u0131n i\u00e7eri\u011finde K\u0131z\u00f6ld\u00fcn T\u00fcm\u00fcl\u00fcs\u00fc\u2019nde ele ge\u00e7en Polyksene Lahdi\u2019nin sipari\u015f edeninin ve sahnelerdeki mitolojik betilerin di\u011fer mezarlar ile olan ba\u011flant\u0131s\u0131na de\u011finil\u00admektedir. \u0130onlu ustalar\u0131n\u0131n daha \u00f6ncesinde gelen yarat\u0131c\u0131l\u0131\u011f\u0131 i\u015fledi\u011fi ve ilerletmeye devam etti\u011fi bi\u00e7em irdelenmektedir. Bu g\u00f6m\u00fct gelene\u011fini pop\u00fcler yapan\u0131n ise, yine yarat\u0131c\u0131 dokunu\u015flar\u0131 ya\u00adpan <em>Anadolu-\u0130on<\/em>\u2019un kendisi olmas\u0131 gerekti\u011fi \u00fczerine incelemeler aktar\u0131lmaktad\u0131r.<\/p>\n<p style=\"text-align: justify;\">Sonu\u00e7 olarak, \u015fu anki \u00e7al\u0131\u015fma ve materyal k\u00fclt\u00fcr kal\u0131nt\u0131lar\u0131yla desteklenen Anadolu ve Bat\u0131 Anadolu halklar\u0131n\u0131n Neolitik \u00c7a\u011f\u2019dan bu yana bu topraklarda oldu\u011fu a\u00e7\u0131kt\u0131r. Bat\u0131 Anadolu halk\u00adlar\u0131n\u0131n Karanl\u0131k \u00c7a\u011f ile bir anda ortadan kaybolup yerine Hellenlerin gelip topra\u011f\u0131 bereket\u00adlendirmesiyle sanat ve d\u00fczen getirmi\u015f oldu\u011fu kabul edilemez. Aksine sanatta esinlenmeleri ve bi\u00e7emin temelini bu topraklardan ald\u0131\u011f\u0131 g\u00f6r\u00fclmektedir. Bat\u0131\u2019n\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131 medeniyet addede\u00adrek bunlar\u0131 bilimin temelindeki sorgulay\u0131c\u0131l\u0131k olmaks\u0131z\u0131n kabul etmenin yanl\u0131\u015fl\u0131\u011f\u0131na d\u00fc\u015fmemek gerekti\u011fini sadece arkeolojide de\u011fil, her bilim dal\u0131nda ge\u00e7erli oldu\u011funu yads\u0131mamak gerekir.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><div class=\"one_half\"><p style=\"text-align: justify;\"><strong>Akdeniz \u00dcniversitesi<\/strong><br \/>\n<strong> Akdeniz Uygarl\u0131klar\u0131 Ara\u015ft\u0131rma Enstit\u00fcs\u00fc<\/strong><\/p>\n<p style=\"text-align: justify;\"><\/div>\n<p style=\"text-align: right;\"><div class=\"one_half last\"><p style=\"text-align: right;\"><strong>Osman \u00c7a\u011flar EK\u0130Z\u00a0(M.A.) <\/strong><br \/>\n<strong>osman.c.ekiz@gmail.com<\/strong><\/p>\n<p style=\"text-align: right;\"><\/div><div class=\"clearboth\"><\/div>\n<p style=\"text-align: justify;\"><div class=\"divider_padding\"><\/div>\n<p style=\"text-align: justify;\"><a name=\"refs\"><\/a><div class=\"tabs_container\"><ul class=\"tabs\"><li><a href=\"#\">Citation<\/a><\/li><li><a href=\"#\">Link<\/a><\/li><\/ul><div class=\"panes\"><div class=\"pane\"><p style=\"text-align: justify;\">F. I\u015eIK, Uygarl\u0131k Anadolu\u2019da Do\u011fdu. \u0130stanbul 2012. Ege Yay\u0131nlar\u0131, 499 sayfa (536 resim ile birlikte). \u00c7ev.: Fahri I\u015eIK \u2013 Erhan BOZKURT. ISBN: 9786055607890 Tan\u0131tan: Osman \u00c7a\u011flar EK\u0130Z, <em>Libri<\/em> I (2015) 33-35. DOI: 10.20480\/lbr.2018115460<\/p>\n<p style=\"text-align: justify;\"><\/div><div class=\"pane\"><p style=\"text-align: justify;\">Permanent Link: <a href=\"http:\/\/www.libridergi.org\/2015\/lbr-0009\">http:\/\/www.libridergi.org\/2015\/lbr-0009<\/a><\/p>\n<p style=\"text-align: justify;\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>F. I\u015eIK, Uygarl\u0131k Anadolu\u2019da Do\u011fdu. \u0130stanbul 2012. Ege Yay\u0131nlar\u0131, 499 sayfa (536 resim ile birlikte). \u00c7ev.: Fahri I\u015eIK \u2013 Erhan BOZKURT. ISBN: 9786055607890 Fahri I\u015f\u0131k\u2019\u0131n neredeyse \u00e7eyrek as\u0131r boyunca yazd\u0131\u011f\u0131 makalelerden olu\u015fan eser, Anadolu\u2019nun \u00f6zel\u00adlikle bat\u0131s\u0131n\u0131n geli\u015fim ve varolu\u015funun Hellen temellerine dayand\u0131r\u0131lmas\u0131ndaki \u00f6n yarg\u0131lar\u0131 k\u0131rmak amac\u0131yla derlenmi\u015ftir. Eser yo\u011fun bir resim derlemesiyle belgelendirilerek bize sunulmaktad\u0131r. &#8230;<\/p>\n","protected":false},"author":1,"featured_media":975,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,87],"tags":[],"class_list":["post-1470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2015-en","category-booknotice-15-en"],"_links":{"self":[{"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/posts\/1470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/comments?post=1470"}],"version-history":[{"count":0,"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/posts\/1470\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/media\/975"}],"wp:attachment":[{"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/media?parent=1470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/categories?post=1470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.libridergi.org\/en\/wp-json\/wp\/v2\/tags?post=1470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}