{"id":3564,"date":"2018-02-09T10:16:10","date_gmt":"2018-02-09T08:16:10","guid":{"rendered":"http:\/\/www.libridergi.org?p=3564"},"modified":"2018-02-09T10:29:48","modified_gmt":"2018-02-09T08:29:48","slug":"lbr-0154","status":"publish","type":"post","link":"http:\/\/www.libridergi.org\/en\/2018-en\/lbr-0154","title":{"rendered":"Mitolojiden Alegoriye"},"content":{"rendered":"
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Mitolojiden Alegoriye<\/h2>\n

Z\u00fchre \u0130ND\u0130RKA\u015e<\/h3>\n
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ISBN:<\/strong> 9786058481732
\nPage:<\/strong> 86
\nPublication Date:<\/strong>\u00a02015
\nLocation:<\/strong> \u0130stanbul
\nPublisher: <\/strong>Tekhne Yay\u0131nlar\u0131<\/p><\/div>

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LIBRI<\/em>\u00a0III (2017) 121-123<\/strong>
\nDOI<\/strong>:\u00a010.20480\/lbr.2018024
\nReceived Date<\/strong>: 20.01.2018 | Acceptance Date<\/strong>: 24.01.2018
\nOnline Publication Date<\/strong>: 25.01.2018
\nCopyright \u00a9 Journal of Book Notices, Reviews and Translations, 2018<\/p>\n

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Z. \u0130ND\u0130RKA\u015e, Mitolojiden Alegoriye<\/em>. \u0130stanbul 2015. Tekhne Yay\u0131nlar\u0131, 86 sayfa (34 resim ile birlikte). ISBN: 9786058481732<\/strong><\/p>\n

Prof. Dr. Z\u00fchre \u0130ndirka\u015f\u2019\u0131n kaleme ald\u0131\u011f\u0131 \u2019Mitolojiden Alegoriye<\/em>\u2019 isimli \u00e7al\u0131\u015fma 2015 y\u0131l\u0131nda Tekhne yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanm\u0131\u015ft\u0131r. \u00c7al\u0131\u015fman\u0131n yazar\u0131 An\u00adkara \u00dcniversitesi Dil Tarih ve Co\u011frafya Fak\u00fcltesi, Klasik Arkeoloji ve Sanat tarihi dallar\u0131nda \u00f6\u011frenim g\u00f6rm\u00fc\u015f, \u0130stanbul \u00dcniversitesi Arkeoloji ve Sanat Ta\u00adrihi b\u00f6l\u00fcm\u00fcnde ve bir s\u00fcre Londra\u2019da \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrerek 1990 y\u0131l\u0131nda doktoras\u0131n\u0131 tamamlam\u0131\u015f, 2013 y\u0131l\u0131nda \u0130stanbul \u00dcniversitesi\u2019nden emekli ol\u00admu\u015ftur. Yazar\u0131n ayr\u0131ca; Ana Tanr\u0131\u00e7a Kybele ve \u00c7a\u011fda\u015f T\u00fcrk Resmindeki izd\u00fc\u00ad\u015f\u00fcmleri<\/em> (2001), T\u00fcrklerde H\u00fck\u00fcmdar Tac\u0131 Gelene\u011fi<\/em> (2002), Altt\u00fcrkischen My\u00adth\u00aden in Mittelasien und Ihr Waiterleben in Anatolien<\/em> (2003), T\u00fcrk Mitoslar\u0131 ve Anadolu Efsanelerinin \u0130zs\u00fcr\u00fcm\u00fc<\/em> (2007) ve Antik Yunan\u2019da Mitos\u2019un Ser\u00fcveni<\/em> (2017) isimli kitap \u00e7al\u0131\u015fmalar\u0131 ve Anadolu K\u00fclt\u00fcr\u00fc, mitoloji ve iko\u00adnografi \u00fczerine yurti\u00e7i ve yurtd\u0131\u015f\u0131nda yay\u0131nlanan \u00e7e\u015fitli makaleleri bulun\u00admaktad\u0131r.<\/p>\n

Eser; \u00fc\u00e7 ayr\u0131 makalenin ve \u201cBa\u015flarken\u201d ba\u015fl\u0131kl\u0131 giri\u015f k\u0131sm\u0131n\u0131n yer ald\u0131\u011f\u0131 d\u00f6rt b\u00f6l\u00fcme ayr\u0131lmaktad\u0131r. \u0130lgili makaleye ait notlar, makalenin yer ald\u0131\u011f\u0131 b\u00f6l\u00fc\u00adm\u00fcn bitiminde, \u00e7al\u0131\u015fmada incelenen yap\u0131tlar\u0131n resimleri eserin sonunda top\u00adluca yer almaktad\u0131r. \u00c7al\u0131\u015fma \u00fc\u00e7 ayr\u0131 mitosta yer alan kimli\u011fin (Prometheus, Oidipus ve Sfenks, Ganymedes) tarih boyunca ge\u00e7irdi\u011fi anlam d\u00f6n\u00fc\u015f\u00fcmlerini ve yap\u0131tlardaki alegorik yorumlar\u0131n\u0131 sunarak incelemektedir. Yazar, Ba\u015flarken <\/em>(11-15) b\u00f6l\u00fcm\u00fcnde \u00e7al\u0131\u015fman\u0131n i\u00e7erdi\u011fi makalelerin ele al\u0131n\u0131\u015f y\u00f6ntemini, kap\u00adsam\u0131n\u0131 ve amac\u0131n\u0131 aktarmaktad\u0131r. Erwin Panofsky\u2019nin sanat yap\u0131t\u0131n\u0131 inceleme y\u00f6ntemiyle mitoslarda yer alan kimliklerine, bat\u0131 resim sanat\u0131ndaki yans\u0131ma\u00adlar\u0131na ve ge\u00e7irdi\u011fi anlamsal d\u00f6n\u00fc\u015f\u00fcmlere odaklan\u0131laca\u011f\u0131 bilgisi sunulmakta\u00add\u0131r. Bu ba\u011flamda devam\u0131nda gelen Bat\u0131 Sanat\u0131 ve Mitologya<\/em> alt ba\u015fl\u0131\u011f\u0131nda ya\u00adzar mitosun tan\u0131m\u0131n\u0131 yaparak, antikiteden ba\u015flayarak Orta\u00e7a\u011f\u2019a kadar s\u00fc\u00adre\u00adgelen mitos ele\u015ftirilerinin ve geli\u015fen alegorinin genel sunumunu vermekte\u00addir. Ba\u015fl\u0131k alt\u0131nda Hellen mitoslar\u0131ndaki tanr\u0131lar\u0131n ahlaksal \u00e7eli\u015fkilerine meta\u00adforik anlamlar y\u00fckleyen ilk d\u00fc\u015f\u00fcn\u00fcrlerle birlikte, Orta\u00e7a\u011f H\u0131ristiyan bak\u0131\u015f\u0131n\u0131n mitoslarla uzla\u015ft\u0131r\u0131lma \u00e7al\u0131\u015fmalar\u0131 a\u00e7\u0131lmaktad\u0131r. Sunulan tarihsel a\u00e7\u0131klamala\u00adr\u0131n do\u011frultusunda mitosun sanata t\u00fckenmez bir esin kayna\u011f\u0131 oldu\u011fu ifadesi, Andre Gide\u2019nin \u201chi\u00e7bir susuzlu\u011fun t\u00fcketemedi\u011fi Philemon\u2019un testisi<\/em>\u201d deyi\u00ad\u015fiyle birlikte verilmektedir.<\/p>\n

\u00a0B\u00f6l\u00fcm 2: Prometheus \u0130mgesinin \u00c7a\u011flar Boyu Ge\u00e7irdi\u011fi D\u00f6n\u00fc\u015f\u00fcm <\/em>(15-39) ba\u015f\u00adl\u0131\u011f\u0131 Can Y\u00fccel\u2019den al\u0131nt\u0131lanan bir \u015fiirle ba\u015flamaktad\u0131r. Prometheus\u2019la kar\u015f\u0131\u00adla\u015ft\u0131\u011f\u0131m\u0131z ilk kayna\u011f\u0131 Hesiodos olarak belirleyen yazar, Hesiodos\u2019un, tra\u00adgedya yazar\u0131 Aiskhylos\u2019un ve Platon\u2019un Prometheus mitosuna bak\u0131\u015flar\u0131n\u0131 a\u00e7t\u0131ktan sonra aralar\u0131ndaki yakla\u015f\u0131m fark\u0131na ve mitosun de\u011fi\u015fimine dikkat \u00e7e\u00adkerek, kar\u015f\u0131la\u015ft\u0131rmal\u0131 incelemesini yapmaktad\u0131r. Yaz\u0131l\u0131 gelenekteki d\u00f6n\u00fc\u015f\u00fcm\u00adler saptand\u0131ktan sonra g\u00f6rsel betim \u00f6rnekleriyle ili\u015fkisi ele al\u0131nmaktad\u0131r. Ese\u00adrin sonunda da resimlerine yer verilen antikiteden g\u00fcn\u00fcm\u00fcze kadarki Pro\u00admetheus mitosunu ele alan bu \u00f6rnekler, yazar\u0131n ifadesiyle \u201cdin, felsefe, sa\u00adnat\u00ad\u00e7\u0131n\u0131n ki\u015fili\u011fi ve \u00e7a\u011f\u0131n\u0131n k\u00fclt\u00fcrel yap\u0131s\u0131 kapsam\u0131nda<\/em>\u201d de\u011ferlendirilmektedir. Bu ba\u011flamda Prometheus mitosunun M\u00d6 V. ve IV. y\u00fczy\u0131llar\u0131ndaki ilk g\u00f6rsel betimlerinin Hesiodos \u00f6rnekleriyle uyu\u015ftu\u011funu ifade eden yazar, \u00f6rnek sundu\u011fu yap\u0131tlarla d\u00fc\u015f\u00fcncesini desteklemektedir. Devam\u0131nda IV. y\u00fczy\u0131ldaki \u00f6rneklerle Aiskhylos\u2019un etkisini a\u00e7\u0131klamakta, Platon\u2019daki \u00f6rneklerin g\u00f6r\u00fcle\u00adbilmesi i\u00e7inse MS II ve III. y\u00fczy\u0131llar\u0131n gelmesi gerekti\u011fini belirtmektedir. Bu d\u00f6\u00adnemden itibaren H\u0131ristiyan etkileriyle de\u011fi\u015fen yakla\u015f\u0131m\u0131 ele alan yazar, ay\u00adn\u0131 zamanda mitosun Yeni-Platonculuk felsefesiyle olan ba\u011f\u0131n\u0131 kurmaktad\u0131r. Devam eden y\u00fczy\u0131llarda mitosa bak\u0131\u015f\u0131n yeniden d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fcn bilgisi veril\u00admek\u00adte, tarihsel ve alegorik yorumlar R\u00f6nesans, Ayd\u0131nlanma D\u00f6nemi yap\u0131tlar\u0131 \u00fczerinden de\u011ferlendirilmektedir. Bahsi ge\u00e7en yap\u0131tlar aras\u0131nda vazolar, lahit\u00adler, ya\u011fl\u0131boya, grav\u00fcr ve tavan resmi gibi \u00e7al\u0131\u015fmalar bulunmaktad\u0131r.<\/p>\n

B\u00f6l\u00fcm 3: Gustave Moreau; Tarih Resmi ve \u2018Oidipus ve Sfenks\u2019 \u00dczerine \u0130ko\u00adnografik Yorumlar\u0131<\/em> (39-53) ba\u015fl\u0131\u011f\u0131 Sophokles\u2019in \u2019Kral Oidipus\u2019 isimli tragedya eserinden al\u0131nt\u0131lanan bir b\u00f6l\u00fcmle ba\u015flamakta ve eserin i\u00e7eri\u011fi hakk\u0131nda bilgi\u00adler verilmektedir. Fransa\u2019da ikinci imparatorluk d\u00f6neminde, i\u00e7eri\u011fini tarihsel ve dinsel metinler, mitoloji ve edebiyat yap\u0131tlar\u0131ndan alan alegorik resimler ola\u00adrak tan\u0131mlanan tarih resimlerine olan ilginin, Alexandre Cabanel\u2019in \u2019Ve\u00adn\u00fcs\u2019\u00fcn Do\u011fu\u015fu\u2019 ve de Paul Baudry\u2019nin \u2018\u0130nci ve Dalga\u2019 benzeri n\u00fc eserlere y\u00f6\u00adnelmesi \u00e7er\u00e7evesinde geli\u015fen ele\u015ftirilerin ve savunular\u0131n y\u00fcr\u00fct\u00fcld\u00fc\u011f\u00fc d\u00f6nem \u00f6zetlenmektedir. Bu d\u00f6nemde Gustave Moreau\u2019nun konusunu Sophokles\u2019in \u2019Kral Oidipus\u2019 eserinden alan \u2019Oidipus ve Sfenks\u2019 adl\u0131 eseriyle tarih resminin tekrar Frans\u0131z resim sanat\u0131 g\u00fcndemine ta\u015f\u0131nd\u0131\u011f\u0131n\u0131 ifade eden yazar, esere y\u00f6neltilen ele\u015ftirileri ve de\u011ferlendirmeleri sunmaktad\u0131r. \u2019Oidipus ve Sfenks\u2019 eserinin benzer eserlerle olan kar\u015f\u0131la\u015ft\u0131rmal\u0131, detayl\u0131 de\u011ferlendirmesi, bahsi ge\u00e7en d\u00f6nemde ya\u015fanan geli\u015fmelerin eserin i\u00e7eri\u011fine olan etkisiyle birlikte yap\u0131lmaktad\u0131r. Yazar b\u00f6l\u00fcm\u00fc \u015f\u00f6yle \u00f6zetlemektedir; \u201cDiyebiliriz ki Moreau, Oidipus ve Sfenksle tarih resmine yeni bir boyut kazand\u0131rmaya \u00e7al\u0131\u015f\u0131rken, d\u00f6\u00adnemin ahlak ve estetik de\u011ferlerini kendi inan\u00e7 ve d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n sembol\u00adleri arac\u0131l\u0131\u011f\u0131yla ele\u015ftirmi\u015f ve kendi ki\u015fisel mitoslar\u0131n\u0131 Sophokles\u2019in \u00fcnl\u00fc traged\u00adyas\u0131na katm\u0131\u015ft\u0131r<\/em>\u201d.<\/p>\n

B\u00f6l\u00fcm 4: Rubens ve Ganymedes Mitosunun \u0130konografik Yorumlar\u0131<\/em> (53-63) ba\u015fl\u0131\u011f\u0131nda \u2019Homeros \u0130lahileri<\/em>\u2019 isimli \u00e7al\u0131\u015fmadan bir b\u00f6l\u00fcmle giri\u015f yap\u0131l\u00admakta\u00add\u0131r. Devam\u0131nda Ovidius\u2019un \u2019Metamorphoses<\/em>\u2019 ve Homeros\u2019un \u2019Ilias<\/em>\u2019 eseri \u00fcze\u00adrinden Ganymedes mitosu a\u00e7\u0131lmaktad\u0131r. Tanr\u0131 Zeus\u2019un \u00f6l\u00fcml\u00fclerin en g\u00fczeli olan Ganymedes\u2019e vurulup onu ka\u00e7\u0131rm\u0131\u015f olmas\u0131, mitosa farkl\u0131 yorumlar\u0131n getirilmesine neden oldu\u011fu belirtilmektedir. Mitosa yap\u0131lan tinsel ve erotik yo\u00adrumlardan Orta\u00e7a\u011f\u2019da H\u0131ristiyanl\u0131k ahlak\u0131yla birlikte tinsel yorumun \u00f6n pla\u00adna \u00e7\u0131kmas\u0131 ve Yeni-Platonculuk anlay\u0131\u015f\u0131yla beraber ruhun cennete u\u00e7u\u015funun simgesi olmas\u0131 konu \u00f6zelinde dikkat \u00e7ekmektedir. Bu ba\u011flamda Peter Paul Ru\u00adbens, Michelangelo, Boccacio ve Petrarca\u2019n\u0131n mitos hakk\u0131ndaki eserleri de\u011ferlendirilerek \u00e7al\u0131\u015fma sonland\u0131r\u0131lmaktad\u0131r.<\/p>\n

Akdeniz \u00dcniversitesi
\nAkdeniz Uygarl\u0131klar\u0131 Ara\u015ft\u0131rma Enstit\u00fcs\u00fc
\n<\/strong><\/p><\/div>\n

Umut ARSLAN (MA)<\/strong>
\numutarslan2@gmail.com<\/strong><\/p>\n

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