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		<title>A New Agonistic Epigram from Synnada: Antigonos the Trumpeter</title>
		<link>http://www.libridergi.org/2026/lbr-356</link>
		
		<dc:creator><![CDATA[Şenkal Kileci]]></dc:creator>
		<pubDate>Thu, 21 May 2026 09:01:01 +0000</pubDate>
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		<category><![CDATA[Epigrafi]]></category>
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					<description><![CDATA[A New Agonistic Epigram from Synnada: Antigonos the Trumpeter M. Ertan YILDIZ N. Eda AKYÜREK ŞAHİN Abstract: The subject of this article is a fifteen-line inscription (Figs. 1-4) on the front face of a marble block discovered in the Şuhut district of Afyon and currently preserved in the Afyon Museum. The findspot of the stone ...]]></description>
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<h3>A New Agonistic Epigram from Synnada: Antigonos the Trumpeter</h3>
<p><strong data-wp-editing="1"><sub><img decoding="async" class="alignnone wp-image-3003" src="http://journal.phaselis.org/wp-content/uploads/2019/02/ORCID_mini.png" alt="" width="14" height="14" /></sub></strong> <a href="https://orcid.org/0000-0001-8003-8698"><strong data-wp-editing="1">M. Ertan YILDIZ</strong></a><br />
<strong data-wp-editing="1"><sub><img decoding="async" class="alignnone wp-image-3003" src="http://journal.phaselis.org/wp-content/uploads/2019/02/ORCID_mini.png" alt="" width="14" height="14" /></sub></strong> <a href="https://orcid.org/0000-0002-5993-0566"><strong data-wp-editing="1">N. Eda AKYÜREK ŞAHİN</strong></a><br />
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<p><strong><em>LIBRI </em>XII (2026) 27-39<br />
</strong><strong>Geliş Tarihi:</strong> 07.04.2026 | <strong>Kabul Tarihi</strong><strong>:</strong> 06.05.2026<br />
<strong>DOI: </strong><a href="https://zenodo.org/record/20266542">10.5281/zenodo.20266542</a><br />
<strong>Elektronik Yayın Tarihi:</strong> 21.05.2026</p>
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<p style="text-align: justify;"><strong>Abstract:</strong> The subject of this article is a fifteen-line inscription (Figs. 1-4) on the front face of a marble block discovered in the Şuhut district of Afyon and currently preserved in the Afyon Museum. The findspot of the stone belonged to the territory of the city of Synnada, located in Phrygia during antiquity. The inscription is an agonistic epigram consisting of three distichs honoring a successful trumpeter. In the epigram, a trumpeter named Antigonos is praised. He is known to have participated in trumpet competitions and achieved success while still a child. In later periods, he also gained victories in the Actian and Pythian games. It is emphasized that Antigonos glorified his homeland &#8211; which is not named in the epigram but is likely Synnada based on the findspot &#8211; through his achievements. We include this inscription within the group of agonistic inscriptions known from Synnada to date, some of which are also in the form of epigrams. This marks the first time a trumpeter has been documented in Synnada. Based on current epigraphic and numismatic evidence, the only major festival and games identified in Synnada to date is the great festival known as the “Hadrianeia Panathenaia”. This inscription honoring the trumpeter was also likely erected during a celebration of the Hadrianeia Panathenaia agon in the city. Due to its letterforms and content, the epigram can be dated to the same period as similar epigrams from Synnada, such as those of Thallos and Aristainetos (see the appendix) -namely, the first half of the 3<sup>rd</sup> century CE.</p>
<p><strong>Keywords:</strong> Agonistic Epigram, Afyon Museum, Synnada, Pythia, Actia, Salpinktes/Trumpeter</p>
<p style="text-align: justify;"><strong>Öz:</strong> Afyon’un Şuhut ilçesinde bulunmuş ve günümüzde Afyon Müzesi’nde korunan mermer bir blok taşın ön yüzündeki on beş satırlık bir yazıt (Figs. 1-4) bu makalenin konusunu oluşturmaktadır. Taşın bulunduğu yer, antikçağda Phrygia’da yer alan Synnada kentinin topraklarına aitti. Yazıt başarılı bir trompetçinin onurlandırıldığı üç distykhondan oluşan agonistik bir epigramdır. Epigramda Antigonos isimli bir trompetçi övülmektedir. Bu kişinin daha çocukken trompet yarışmalarına katıldığı ve başarılar kazandığı anlaşılmaktadır. Daha sonraki zamanlarda Aktia ve Pythia oyunlarında da zaferler elde etmiştir. Antigonos’un adı epigramda verilmeyen ama buluntu yerinden dolayı Synnada olması muhtemel olan vatanını başarılarıyla yücelttiği vurgulanmaktadır. Bu yazıtı bugüne kadar Synnada’dan bilinen ve bazıları da epigram şeklinde olan bir grup agonistik yazıt grubunun içine dahil ediyoruz. Synnada’dan ilk kez bir trompetçi belgelenmektedir. Mevcut epigrafik ve nümismatik belgelere dayanarak Synnada’da bugüne kadar tespit edilmiş olan tek bayram “Hadrianeia Panathenaia” adıyla bilinen büyük bayram ve oyunlardır. Trompetçiyi onurlandıran bu yazıt da olasılıkla kentteki bir Hadrianeia Panathenaia agonu sırasında dikilmiş olmalıdır. Epigram harf karakterleri ve içeriği nedeniyle Synnada’daki Thallos ve Aristainetos epigramları gibi (bk. ekler kısmı) benzer epigramlarla aynı döneme, yani MS 3. yüzyılın ilk yarısına tarihlenebilir.</p>
<p><strong>Anahtar sözcükler:</strong> Agonistik Epigram, Afyon Müzesi, Synnada, Pythia, Aktia, Trompetçi</p>
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<p><a name="refs"></a><div class="tabs_container"><ul class="tabs"><li><a href="#">Referanslar</a></li><li><a href="#">Direkt Link</a></li><li><a href="#">Yazar(lar) Hakkında</a></li></ul><div class="panes"><div class="pane"><p>Aneziri S. 2003, <em>Die Vereine der Dionysischen Techniten im Kontext der hellenistischen Gesellschaft. Untersuchungen zu Geschichte, Organisation und Wirkung der hellenistischen Technitenvereine</em> (Historia Einzelschriften 163). Stuttgart.</p>
<p>Aneziri S. 2014, “Stiftungen für sportliche und musische Agone”. Eds. K. Harter-Uibopuu &amp; Th. Kruse, <em>Sport und Recht in der Antike Beiträge zum 2. Wiener Kolloquium zur Antiken Rechtsgeschichte 27.-28.10.2011</em>. Wien.</p>
<p>Baytak İ. 2025, “Synnada ve Çevresi Yüzey Araştırması 2023”. <em>AST</em> 40/2, 403-431.</p>
<p>Begass Chr. 2025, <em>Zwischen Stadt und Stadion, Die Agonothesie der griechisch-römischen Welt in Hellenismus und Kaiserzeit</em>. Stuttgart.</p>
<p>Belke K. &amp; Mersich N. 1990, <em>Phrygien und Pisidien</em> (Tabula imperii Byzantini 7). Wien.</p>
<p>Bowyer C. S. 2016, <em>Echoes of the salpinx: the trumpet in ancient Greek culture</em>. Unpublished Doctoral Thesis, Royal Holloway. University of London.</p>
<p>Cerqueira F. V. 2017, “A trombeta e os jogos”. <em>Revista do Museu de Arqueologia e Etnologia</em> 29, 75-99.</p>
<p>Crowther N. B. 1988, “The Age-Category of Boys at Olympia”. <em>Phoenix </em>42/4, 304-308.</p>
<p>Crowther N. B. 1994, “The Role of Heralds and Trumpeters at Greek Athletic Festivals”. <em>Nikephoros</em> 7, 135-155.</p>
<p>Crowther N. B. 2004. “The Role of Heralds and Trumpeters at Greek Athletic Festivals”. Ed. N. B. Crowther, <em>Athletika: Studies on the Olympic Games and Greek Athletics (Nikephoros Beihefte, Nr. 11)</em>. Hildesheim (Nachdruck), 183-201.</p>
<p>Drew-Bear Th. &amp; Sacco G. 2006-2007, “Epigrammi agonistici et notabili di Synnada”. <em>AION (archeol)</em> 13-14, 253-281.</p>
<p>Drew-Bear Th. 2004/2005. “Phrygia ve Pisidia’da Yeni Epigrafik Yüzey Araştırmaları”. <em>AST</em> 22/2, 213-218.</p>
<p>Eraydın N. 2021<em>, Epigrafik, Nümizmatik ve Edebi Belgeler Işığında Synnada Tarihi. </em>Unpublished Doctoral Dissertation. Akdeniz University, Antalya.</p>
<p>Frisch P. 1986, <em>Zehn agonistische Papyri</em>. Opladen.</p>
<p>Golden M. 2004, <em>Sport in the Ancient World from A to Z</em>. London.</p>
<p>Hale J. R. 2003, “Salpinx” and “salpinktes”: “Trumpet and Trumpeter in Ancient Greece”. Eds. A. F. Basson &amp; J. Dominik, <em>Literature, Art, History: Studies on Classical Antiquity and Tradition in Honour of W. J. Henderson</em>. Frankfurt, 267-273.</p>
<p>Hoffmann V. 2017, “Hadrian und die Finanzierung von Siegerstatuen für Trompeter und Herolde bei den ephesischen Olympia (SEG 56, 1359, ZZ. 40-43)”. <em>Philia</em> 3, 79-96.</p>
<p>Jones C. P. 2007, “Three New Letters of the Emperor Hadrian”. <em>ZPE</em> 161, 145-156.</p>
<p>Lane E. N. 1971, <em>Corpus Monumentorum Religionis Dei Menis (CMRDM)</em> I. (EPRO 19,1). Leiden.</p>
<p>Lehner M. F. 2004, <em>Die Agonistik im Ephesos der römischen Kaiserzeit.</em> Unpublished Doctoral Thesis, LMU München (<a href="https://edoc.ub.uni-cmuenchen.de/3261/1/Lehner_Michael.pdf">https://edoc.ub.uni-cmuenchen.de/3261/1/Lehner_Michael.pdf</a>).</p>
<p>Leschhorn, W. 1998. “Die Verbreitung von Agonen in den östlichen Provinzen des Römischen Reiches”. Ed. M. Lämmer, <em>Colloquium “Agonistik in der römischen Kaiserzeit”, Landhaus Rothenberge bei Münster, 25–27 Oktober 1995</em> (= <em>Stadion</em> 24/1). St. Augustin, 31–57.</p>
<p>Mazzini L. 2020. <em>Triggered Identities and Imperial Power? Macedonian Label Re/use by Civic Communities in Roman Lydia and Phrygia</em>. Ph.D. diss., University of Exeter. Exeter, UK.</p>
<p>Merisio E. N. 2020-2021, “Giochi di parole ed evergetismo in un’iscrizione metrica di Synnada: l’epigramma per Kynegia”. <em>Incontri di filologia classica</em> 20, 205-214.</p>
<p>Merisio E. N. 2024, <em>Le iscrizioni metriche greche della Frigia orientale. Edizione, traduzione e commento</em> (Texte und Kommentare 73). Berlin&amp;Boston.</p>
<p>Mitchell S. 1990, “Festivals, Games and Civic Life in Roman Asia Minor”. <em>JRS</em> 80, 183-193.</p>
<p>Petermandl W. 2012, “Age-categories in Greek Athletic Contests”. <em>Nikephoros YOG</em>, 85-93.</p>
<p>Petzl G. &amp; Schwertheim E. 2006, <em>Hadrian und die dionysischen Künstler: Drei in Alexandria Troas neugefundene Briefe des Kaisers an die Künstler-Vereinigung</em> (Asia Minor Studien 58). Bonn.</p>
<p>Samitz Chr. 2018, “Neue agonistische Inschriften aus Ephesos”. <em>ÖJh </em>87, 373-400.</p>
<p>Staab G. 2018, <em>Gebrochener Glanz. Klassische Tradition und Alltagswelt im Spiegel neuer und alter Grabepigramme des griechischen Ostens</em>. Berlin&amp;Boston.</p>
<p>Strasser J. -Y. 2010, “&#8221;Qu’on fouette les concurrents&#8230;&#8221; À propos des lettres d’Hadrien retrouvées à Alexandrie de Troade”. <em>REG</em> 123/2, 585-622.</p>
<p>Uzunoğlu H. &amp; Dinç M. 2026, “New Inscriptions from Akmoneia”. <em>Gephyra</em> 31, forthcoming.</p>
<p>Wörrle M., 1988, <em>Stadt und Fest im kaiserzeitlichen Kleinasien. Studien zu einer agonistischen Stiftung aus Oinoanda</em> (Vestiga Bd. 39). München.</p>
<p>Xanthoulis N. 2006, “The Salpinx in Greek Antiquity”. <em>International Trumpet Guild Journal</em> 31, 39-45.</p>
<p style="text-align: justify;"></div><div class="pane"><p style="text-align: justify;">Kalıcı Bağlantı Adresi: <a href="http://www.libridergi.org/2025/lbr-0356">http://www.libridergi.org/2026/lbr-0356</a></p>
<p style="text-align: justify;"></div><div class="pane"><p style="text-align: justify;"><strong>M. Ertan YILDIZ</strong></p>
<p>Assoc. Prof. Dr., Akdeniz University, Faculty of Humanities and Social Sciences, Department of Ancient Languages and Cultures, Antalya, Türkiye. <a href="mailto:ertanyildiz@akdeniz.edu.tr">ertanyildiz@akdeniz.edu.tr</a></p>
<p><strong>N. Eda AKYÜREK ŞAHİN</strong></p>
<p>Prof. Dr., Akdeniz University, Faculty of Humanities and Social Sciences, Department of Ancient Languages and Cultures, Antalya, Türkiye. <a href="mailto:edasahin@akdeniz.edu.tr">edasahin@akdeniz.edu.tr</a></p></div></div></div>
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		<title>New Votive Inscriptions from Eskişehir Museum</title>
		<link>http://www.libridergi.org/2026/lbr-0355</link>
		
		<dc:creator><![CDATA[Şenkal Kileci]]></dc:creator>
		<pubDate>Thu, 14 May 2026 09:11:07 +0000</pubDate>
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		<category><![CDATA[Epigrafi]]></category>
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					<description><![CDATA[New Votive Inscriptions from Eskişehir Museum Necmettin ERAYDIN Ahmet TÜRKAN Abstract: This article presents the epigraphic and historical analysis of seven votive inscriptions preserved in the courtyard of the Eskişehir Eti Archaeology Museum. Although these inscriptions were identified within the borders of Eskişehir Province, their exact findspots remain unknown. It is therefore assumed that the ...]]></description>
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<h3>New Votive Inscriptions from Eskişehir Museum</h3>
<p><strong data-wp-editing="1"><sub><img loading="lazy" decoding="async" class="alignnone wp-image-3003" src="http://journal.phaselis.org/wp-content/uploads/2019/02/ORCID_mini.png" alt="" width="14" height="14" /></sub></strong> <a href="https://orcid.org/0000-0001-7795-5970"><strong data-wp-editing="1">Necmettin ERAYDIN</strong></a><br />
<strong data-wp-editing="1"><sub><img loading="lazy" decoding="async" class="alignnone wp-image-3003" src="http://journal.phaselis.org/wp-content/uploads/2019/02/ORCID_mini.png" alt="" width="14" height="14" /></sub></strong> <a href="https://orcid.org/0000-0002-3358-0828"><strong data-wp-editing="1">Ahmet TÜRKAN</strong></a><br />
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<p><strong><em>LIBRI </em>XII (2026) 15-25<br />
Geliş Tarihi:</strong> 09.04.2026 | <strong>Kabul Tarihi</strong><strong>:</strong> 02.05.2026<br />
<strong>DOI: </strong><a href="https://zenodo.org/record/20161691">10.5281/zenodo.20161691</a><br />
<strong>Elektronik Yayın Tarihi:</strong> 14.05.2026</p>
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<p data-wp-editing="1"><a href="http://journal.phaselis.org/wp-content/uploads/2015/06/info.jpg"><img loading="lazy" decoding="async" class="alignnone wp-image-44" src="http://journal.phaselis.org/wp-content/uploads/2015/06/info.jpg" alt="info" width="18" height="18" /></a> <b><a href="#refs">Referanslar</a></b></p>

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<p style="text-align: justify;"><strong>Abstract:</strong> This article presents the epigraphic and historical analysis of seven votive inscriptions preserved in the courtyard of the Eskişehir Eti Archaeology Museum. Although these inscriptions were identified within the borders of Eskişehir Province, their exact findspots remain unknown. It is therefore assumed that the objects may originate from the territories of settlements located within the provincial boundaries that existed at the time the inscriptions were produced; where necessary, the inscriptions have been evaluated within their own internal context. The first inscription was dedicated to the “Just Gods” (Theoi Dikaioi) by a <em>komarkhes</em> and priest of a settlement. Although parallels associated with Hosios kai Dikaios are known, this expression is attested here for the first time in the region as denoting a group of deities. The following three inscriptions are dedicated respectively to Hosios kai Dikaios, Theos Hypsistos, and Men. The fifth inscription is a fragment dedicated by the inhabitants of Doiga. The sixth inscription is dedicated to the local deity of a settlement named Dobana. They are introduced into the literature as two new toponyms. The final inscription is likewise fragmentary and preserves only part of the name of the dedicator. All inscriptions are dated to the 2<sup>nd</sup>–4<sup>th</sup> centuries CE and reflect the religious diversity of the Eskişehir region in antiquity.</p>
<p><strong>Keywords:</strong> Theoi Dikaioi, Men, Theos Hypsistos, Hosios kai Dikaios, Komarkhes, Doiga</p>
<p style="text-align: justify;"><strong>Öz:</strong> Bu makale, Eskişehir Eti Arkeoloji Müzesi bahçesinde muhafaza edilen yedi adak yazıtının epigrafik ve tarihsel analizini sunmaktadır. Söz konusu yazıtlar Eskişehir ili sınırları içerisinde tespit edilmiş olmakla birlikte, kesin buluntu yerleri bilinmemektedir. Bu nedenle eserlerin, il sınırları içinde yer alan ve yazıtların üretildiği dönemde varlık gösteren yerleşimlerden herhangi birinin hâkimiyet alanına ait olabileceği varsayılmış; gerekli durumlarda ise yazıtlar kendi iç bağlamları içerisinde değerlendirilmiştir. Yazıtlardan ilki, bir yerleşimin <em>komarkhes</em>’i ve rahibi tarafından “adil tanrılara” (Theoi Dikaioi) adanmıştır. Bu ifade, daha önce Hosios kai Dikaios ile ilişkili örnekler bilinmekle birlikte, bir tanrı grubunu niteleyecek şekilde bölgede ilk kez belgelenmektedir. Bunu izleyen üç yazıt sırasıyla Hosios kai Dikaios, Theos Hypsistos ve Men için düzenlenmiştir. Beşinci yazıt bir fragman olup Doiga sakinleri tarafından adanmıştır. Altıncı yazıt, Dobana adlı yerleşimin yerel tanrısına ithaf edilmiştir. Bu isimler iki yeni toponim olarak literatüre kazandırılmaktadır. Son yazıt ise yine bir fragman olup yalnızca adayanın isminin bir kısmı korunabilmiştir. Tüm eserler MS 2–4. yüzyıllar arasına tarihlenmekte olup Eskişehir bölgesinin antik çağdaki dinsel çeşitliliğini ortaya koymaktadır.</p>
<p><strong>Anahtar sözcükler:</strong> Theoi Dikaioi, Men, Theos Hypsistos, Hosios kai Dikaios, Komarkhes, Doiga</p>
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<p><a name="refs"></a><div class="tabs_container"><ul class="tabs"><li><a href="#">Referanslar</a></li><li><a href="#">Direkt Link</a></li><li><a href="#">Yazar(lar) Hakkında</a></li></ul><div class="panes"><div class="pane"><p>Akyürek Şahin N. E. &amp; Uzunoğlu H. 2019, “Neue Inschriften aus dem Museum von Eskişehir”. <em>Gephyra</em> 18, 137-191.</p>
<p>Akyürek Şahin N. E. &amp; Uzunoğlu H. 2020, “Neue Weihungen an Hosios Kai Dikaios aus dem Museum von Eskişehir”. <em>Gephyra</em> 19, 189-230.</p>
<p>Akyürek Şahin N. E. &amp; Uzunoğlu H. 2021, “Neue Inschriften aus dem phrygischen Hochland”. <em>Gephyra</em> 21, 177-197.</p>
<p>Akyürek Şahin N. E. 2007, “Neue Votivsteine aus dem Museum von Afyon”. <em>Gephyra</em> 4, 1-14.</p>
<p>Ameling W. 2005, “Komarkhes”. <em>BNP</em> 7, 87-88.</p>
<p>Boyana H. 2019, “Phrygia Epiktetos’ta Men Kültü”. <em>Ankara Üniversitesi SBD</em> 10, 66-80.</p>
<p>Dökü F. E. &amp; Kileci Ş. 2022, “Ares Reliefs and a New Votive Inscription to Ares in the Rural Highlands of Kabalis / Kabalia”. <em>Adalya </em>25, 105-124.</p>
<p>Dökü F. E. &amp; Kileci Ş. 2023, “Rock Reliefs of Zeus and his Thunderbolt in the High Plateau Settlements of Kabalis/Kabalia”. <em>Anadolu Anatolia </em>49, 73-96.</p>
<p>Drew-Bear T., C. M. Thomas &amp; M. Yıldızturan 1999, <em>Phrygian Votive Steles</em>. Ankara.</p>
<p>Erten E. 2023, “Zwei neue Inschriften aus Dorylaion”. <em>Libri</em> 9, 1-12.</p>
<p>Gökalp N. &amp; Akdoğu Arca E. N. 2009, “Antalya’dan Yeni Adak Yazıtları”. <em>Adalya</em> 12, 261-275.</p>
<p>Güney H. 2018, “New Inscriptions from Northeast Phrygia: The Cult of Hosios and Dikaios”. <em>Gephyra</em> 15, 101-117.</p>
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<p style="text-align: justify;"></div><div class="pane"><p style="text-align: justify;">Kalıcı Bağlantı Adresi: <a href="http://www.libridergi.org/2025/lbr-0355">http://www.libridergi.org/2026/lbr-0355</a></p>
<p style="text-align: justify;"></div><div class="pane"><p style="text-align: justify;"><strong>Necmettin ERAYDIN</strong></p>
<p>Asst. Prof., Eskişehir Anadolu University, Faculty of Humanities, Department of Archaeology, Eskişehir, Türkiye. <a href="mailto:necmi.eraydin@gmail.com">necmi.eraydin@gmail.com</a></p>
<p><strong>Ahmet TÜRKAN</strong></p>
<p>Assoc. Prof., Eskişehir Osmangazi University, Faculity of Humanities and Social Science, Department of History, Eskişehir, Türkiye. <a href="mailto:aturkan@ogu.edu.tr">aturkan@ogu.edu.tr</a></p></div></div></div>
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		<title>A New Honorific Inscription from Magnesia ad Maeandrum</title>
		<link>http://www.libridergi.org/2026/lbr-0354</link>
		
		<dc:creator><![CDATA[Şenkal Kileci]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 10:19:16 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[Epigrafi]]></category>
		<guid isPermaLink="false">http://www.libridergi.org/?p=9103</guid>

					<description><![CDATA[A New Honorific Inscription from Magnesia ad Maeandrum Tolga UZUN Abstract: This study presents a newly discovered inscription from Magnesia ad Maeandrum, found in 2021 and dated to the late 1st century CE or early 2nd century CE. The text preserves the public actions of a woman named Tryphosa, who honoured the memory of her ...]]></description>
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<h3>A New Honorific Inscription from Magnesia ad Maeandrum</h3>
<p><strong data-wp-editing="1"><sub><img loading="lazy" decoding="async" class="alignnone wp-image-3003" src="http://journal.phaselis.org/wp-content/uploads/2019/02/ORCID_mini.png" alt="" width="14" height="14" /></sub></strong> <a href="https://orcid.org/0000-0002-1904-6805"><strong data-wp-editing="1">Tolga UZUN</strong></a><br />
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<p><strong><em>LIBRI </em>XII (2026) 1-13<br />
Geliş Tarihi:</strong> 30.03.2026 | <strong>Kabul Tarihi</strong><strong>:</strong> 19.04.2026<br />
<strong>DOI: </strong><a href="https://zenodo.org/record/19704468">10.5281/zenodo.19704468</a><br />
<strong>Elektronik Yayın Tarihi: </strong>23.04.2026</p>
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<p style="text-align: justify;"><strong>Abstract:</strong> This study presents a newly discovered inscription from Magnesia ad Maeandrum, found in 2021 and dated to the late 1st century CE or early 2nd century CE. The text preserves the public actions of a woman named Tryphosa, who honoured the memory of her husband Democharis through gestures of civic generosity and religious responsibility. The boule and the demos honoured Democharis for his inherited civic standing, the dignity of his character and his service as agoranomos. After his death, Tryphosa, identified as his wife and as a priestess, undertook several initiatives that affected the civic community at large. She set up a monument in his honour, financed distributions of olive oil in the gymnasia and provided funds for the philosebastos boule in accordance with his instructions. The inscription places commemoration, religious office and civic benefaction within the same public setting and makes clear that Tryphosa was the central figure in turning the memory of Democharis into visible civic action.</p>
<p><strong>Keywords:</strong> Tryphosa, Democharis, Oil, Agoranomos, Priestess, Magnesia ad Maeandrum</p>
<p style="text-align: justify;"><strong>Öz:</strong> Bu çalışma, Magnesia ad Maeandrum’da 2021 yılında bulunmuş ve MS 1. yüzyılın sonları ile 2. yüzyılın başlarına tarihlenen yeni bir yazıtı tanıtmaktadır. Metin, Tryphosa adlı bir kadının, eşi Demokharis’in hatırasını kent yaşamına dokunan hayır işleri ve dinsel sorumluluk çerçevesinde nasıl yaşattığını göstermektedir. Boule ile demos, Demokharis’i ailesinden gelen yurttaşlık itibarı, karakterinin saygınlığı ve agoranomos olarak yürüttüğü görevi nedeniyle onurlandırmaktadır. Onun ölümünden sonra, hem eşi hem de rahibe olarak tanımlanan Tryphosa, kenti doğrudan ilgilendiren çeşitli girişimlerde bulunmaktadır. Kocasının anısına bir anıt diktirmiş, gymnasion’larda zeytinyağı dağıtımını finanse etmiş ve onun vasiyeti doğrultusunda philosebastos boule için maddi kaynak sağlamıştır. Yazıt; anma geleneğini, dini makamı ve kamusal hayırseverliği aynı kamusal çerçeve içine yerleştirmekte ve Tryphosa’nın, Demokharis’in hatırasını görünür bir kamusal eyleme dönüştürmede merkezi figür olduğunu açıkça ortaya koymaktadır.</p>
<p><strong>Anahtar sözcükler:</strong> Tryphosa, Demokharis, Yağ, Agoranomos, Rahibe, Magnesia ad Maeandrum</p>
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<p style="text-align: justify;"></div><div class="pane"><p style="text-align: justify;">Kalıcı Bağlantı Adresi: <a href="http://www.libridergi.org/2025/lbr-0354">http://www.libridergi.org/2026/lbr-0354</a></p>
<p style="text-align: justify;"></div><div class="pane"><p style="text-align: justify;"><strong>Tolga UZUN</strong></p>
<p>Dr., Independent Researcher, Yeni Mah. 435 Sok. No: 5B, 07980, Kemer, Antalya, Türkiye. <a href="mailto:totolga7@gmail.com">totolga7@gmail.com</a></p></div></div></div>
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